Friday, September 28, 2007

Things That Sound Dirty But Aren’t

Back in this post, I mentioned my friend Teeb who collects words and phrases that sound dirty but aren't. The list has been kept in our heads for decades and our failing mental capacities have jeopardized the completeness and integrity of the data. In order to record the list and protect it from further deterioration, I'm going to keep it here and add to it as needed.

  • Bonafide
  • Back end processes
  • Insertion order
  • June Cleaver: "Ward, weren't you a little hard on the Beaver?"
  • Stimulus Package (Courtesy of George W. Bush, 2008)
  • Hard six (A type of bet in craps.)
  • Entry-level position
  • Philatelist
  • Executrix
  • Polishing my Oscar
  • Pictorial
  • Live Circus Acts
  • Full frontal
  • Big pink eyesore
  • Flopping the nuts (Poker jargon from Teeb.)
  • Live straddle (Poker jargon from Teeb.)
  • Munchkin (Thanks Sass!)
  • Balzac
  • Goblin

Monday, September 24, 2007

Pariah Dogs and Wandering Madmen

I saw Rush at the ACC on September 19th and 22nd. I went with S, another man's wife. It's okay. He knows. Neither of our spouses are Rush fans, so we have a standing date for dinner and a show every time the tour comes to Toronto.

My wife, V, is obsessive about accumulating Jack points. It paid off. The morning of the Wednesday show, I learned that she won tickets to the Saturday show. She was very happy for me and very proud of her radio contest prowess and that her obsessive compulsiveness had a positive outcome. The seats were in section 108, about centre ice and fifteen rows up. My seats on Wednesday were in section 101 at the back of the arena, nine rows up with a direct stage view. On Wednesday I watched the video screens a lot. On Saturday I was close enough to watch the band. S joined me for the second show. She wore her Presto tour shirt. My Farewell To Kings shirt hasn't fit since the Presto tour, so I was out of luck, vintage-shirt-wise. We had a blast.

On stage behind Geddy Lee were three ovens the size of large vending machines. They had glass paneled fronts and were filled with rotisserie chickens. I love their humour and inner-weirdness. They are three guys who would surely be misfits in any other situation.

Sometime in the '90s I stopped paying attention to lyrics. If a song had tragic or idiotic lyrics and a beat, I would bop to it. I just got tired of bothering with lyrics because most of them were fluff. In the last year I started paying attention again, at least enough to notice which were worth it. I think Alanis making fun of Fergie might have been the trigger.

I looked through Rush lyrics to find a title for this post. My god, most of them are depressing. They're very well crafted, but most deal with struggle, conflict, and oppression. Neil has issues. I don't remember that from when I was an obsessive fan in the '70's and '80's. I remember finding the lyrics intelligent and insightful. But I was at an age then when struggling, conflict, and being oppressed were standard issue and were badges of honour. Even a song like The Spirit of Radio that is upbeat and energetic, lyrics included for the most part, concludes with:

One likes to believe in the freedom of music
But glittering prizes and endless compromises
Shatter the illusion of integrity

And yet I still feel good, get a rush (sorry) and bop to it whenever I hear it. How do they do that?

I noticed an interesting thing while reading dozens of Rush lyrics: the music of their songs gets much of its complexity from the way the lyrics are written. The rhyme, the meter, the length of lines and stanzas. The music has to be written to accommodate all that.

The show was three hours long with a twenty minute break. Not bad for a bunch of old guys, much of the audience included. They had plenty of lights, lasers, pyrotechnics, and videos. It was a great show. They kind of have to have all of that going on because the three of them are so busy creating all that sound with their hands and feet that sometimes they don't have the freedom to be animated on stage.

A Bob & Doug McKenzie video introduced The Larger Bowl. A South Park video introduced Tom Sawyer. Other videos featuring band members were shown to open the concert, return from the intermission, and close the show after the encore.

The people with floor seats stood for the whole show. The people in the stands stood for the first three songs, for favourite songs, and for the three-song encore.

Once during each set, a crew member came on stage in a chef's hat and apron to baste the chickens. When this happened at the show on Saturday, eight guys in row 1, centre floor, put on chef's hats. It cracked Alex and Geddy up!

Big Al's Babes are a bunch of Barbie doll groupies around the gear at the base of Alex's mic stand. A search landed me at 2112.net which explained that roadies set up the babes so they hold Post-It signs that say things like: My Mom Thinks Your Hot!, I'm Only Doing This To Pay For College, Freebird!, and I Thought ZZ Top Had Beards.

Rush has always attracted fans who are musicians. Their music is usually complex, requiring precision and technique. They also attract individualists and independent thinkers. Their lyrics are smart and thought provoking and generally deal with protagonists who go against the grain. They have occasionally had songs make the charts, but they have never set out to write commercial songs. A lot of their appeal comes from the fact that they have completely disregarded music industry axioms. The rebellion and nonconformity are part of the attraction for their huge core following.

The excitement of the shows re-sparked my enthusiasm, so I started poking around the Internet to see what was out there about the band. There are a lot of fan sites and picture galleries. Wikipedia has a lot of information and it was there that I found a link to Durrell Scott Bowman's PhD. dissertation Permanent Change: Rush, Musicians’ Rock, and the Progressive Post-Counterculture. How cool is that? I'm only 25 pages into the 331 page document, but so far, it's a great read. Thanks Durrell!

Sunday, September 9, 2007

An Open Letter to Jerry Bruckheimer

Dear Mr. Bruckheimer,

Your movies and television shows have entertained me for decades.

I share your disappointment over the cancellation of Justice. I hope it can be resurrected. Victor Garber was excellent as a psychopathic lawyer. I enjoyed the show very much.

I continue to be a loyal viewer of Without a Trace and the CSI franchises.

Last season I was disheartened to see that Detective Calleigh Duquesne, played by Emily Procter on CSI: Miami, began dressing appropriately to perform ballistics tests. Although Ms. Proctor is delicious in a lab coat, and the lab coat adds credibility to the show, I think we can agree that credibility is not a standard to which CSI: Miami aspires. Surely you do not intend for Lieutenant Horatio Caine, played by David Caruso, to start being credible with respect to his dialog, inter-personal relationships, body language, or affectations with his sun glasses. Similarly, Detective Duquesne should return to performing ballistics tests in a tank top.

Picture the following scene performed by Ms. Proctor in a tank top versus a lab coat:

Detective Duquesne assumes the Weaver stance. With the camera at pistol height, we see her from the front and slightly to the right. She aims. She fires. Her head remains stationary; her eyes open. Her pectoral muscles flex to brace against the recoil, resulting in movement about the chest and shoulders.

Clearly, credibility in this case is at the expense of the premise of the show and quite possibly at the expense of Ms. Proctor's celebrity. As a fan of both you and Ms. Proctor, and on behalf of the viewing public, I ask that you consider returning to your original choice of attire for Detective Duquesne performing ballistics tests.

Your loyal fan,

Rex

Thursday, September 6, 2007

Smoking Is Cool

I don't smoke. I've heard it's bad for me. But there's something about smoking I find appealing. Not the smoking that happens in shirt sleeves in the winter outside office buildings. That's just depraved. The kind that happens in movies. The kind that used to happen in bars and cafes—except when smoke drifts into the smoker's eyes and he squints because it hurts and he has to move his head out of the cloud. That's not cool. That's just an ugly addiction. But, but, if the smoke didn't drift into his eyes, if it wafted upward and a little to the side in a languorous blue ribbon, then, then you'd have cool. See how that's cool? And suppose he had a glass of scotch. In a thick lowball glass with a heavy base. On the rocks. But just three rocks. Rocks that are transparent and solid, their surfaces washed smooth and clear with just enough dents and curves to give them character. And he's casually leaning back, arm cocked at the elbow, the cigarette looking like it's part of his hand. And his face is relaxed, mouth hinting at a smile. He's about to say something important. Maybe he's listening intently to a friend. Or maybe he's alone and just enjoying the moment. Turning the glass slowly to look at the reflections and refractions. Or gazing at the small fire he controls at his fingertips. See how that's cool? Sometimes I wish I smoked.

Wednesday, September 5, 2007

The Enchanted Beach Which Can Be Used As a Table

My parents-in-law no longer own the condo in Indian Shores, Florida. It’s too bad because it was a great place on a great beach. Driving across Ulmerton which becomes Walsingham to get from Tampa Bay to the gulf beaches was a drag though. The road was wide, the traffic bad, and there was no scenery but strip mall after strip mall. I always pronounced Ulmerton and Walsingham the way Steve Martin pronounced Dr. Hfuhruhurr and Anne Uumellmahaye in The Man with Two Brains. The drawn-out sigh of pronunciation fit the drive.

The condo was beachfront on the second floor, which was actually the first floor of units. The ground level was open parking with a break wall in case the ocean became unruly. Sitting on the balcony was almost as good as sitting on the beach.
Every year we got a week there in return for V doing the taxes. It was the early to mid ‘90s, before V had chronic back pain, so we were able to golf, swim, and walk for miles on the beach. We had done a lot of traveling to different places, but the condo was the first place we returned to again and again. We liked that instead of being an adventure vacation, it was a relaxing vacation where we knew the area and all we had to do was enjoy being there.
I’d get up in the morning, start coffee brewing, and mosey downstairs to get the St. Petersburg Times—excellent entertainment for a quarter. I’d take my coffee and paper out to the balcony and enjoy the morning.
Being a Canadian on vacation in the US, I’d look through the ads in the paper and marvel at how inexpensive things were, especially liquor. There’s a great wine store in Tarpon Springs about 45 minutes from the condo called B-21 Fine Wine & Spirits. I got some excellent bottles there over the years like 1977 Dow's Vintage Port, 1989 Chateau de Beaucastel, and great California cabs from the late ‘80s like Mondavi, Sterling, Caymus, Mayacamus, and Silver Oak. That was the thing about B-21, you could get older vintages. One time I got a bottle of Opus One. On the way back we went through the drive-through at Checkers and got fries. I cooked striploins and we had a great dinner on the balcony watching the sun set.
In October of ’94 I read an article about a guy in St. Pete’s who writes the blurbs on the back of baseball cards for Topps. The article mentioned how cards from years where production was low were worth more as collectibles years later. I’m not a sports fan, but even I couldn’t miss that the players were on strike in the fall of ’94. I figured the fans were probably sour on the game because of the striking millionaire players, so there probably wouldn’t be many cards issued. I went out and bought a complete set. I still have it in its unopened box. It’s tucked away and I would have forgotten about it if I hadn’t been reminiscing about Florida. Someday when I’m cleaning house to move into the seniors’ home, I’ll come across it again and maybe I’ll be able to sell it for enough to finance a trip back to Florida.
My favourite restaurant is Bern’s Steak House in Tampa. In the early '90s their wine list was hardcover and was the size of the Hamilton (Ontario) phone book. They'd print new editions once every five years, so depending on where they were in the cycle, you might see white-out or edits in the list based on inventory changes. The prices didn't change though. If you had shown up on day 364 of year four, you'd pay the same as you would have on day one of year one. Now I see their wine list is online and it's updated quarterly. Are you curious to try a wine from the year you were born? You can probably find one at Bern's.
They have a cellar at the restaurant (ask for a tour) and two more cellars across the street. Their inventory is maintained at around 500,000 bottles. Every year before going to Florida, I would spend hours with the Wine Spectator's Ultimate Guide to Buying Wine, making a list of wines I'd look for at Bern's. V would wait patiently while I indulged in my guilty pleasure for twenty minutes with the wine list. Then dinner would begin.
The décor is busy and gaudy, but in a way that works. The waiters spend a year in training. They have to train at all stations in the restaurant and work on the farm where Bern's grows their herbs and vegetables before they can serve tables.
The dessert room is upstairs, separate from the dining room. There is a dance floor and a pianist. Each table is in it's own private booth made from a huge wine cask. The booths that don't have direct views of the pianist have televisions so you can see him play, and telephones so you can talk to him and make requests. We always requested Linus and Lucy, the Charlie Brown theme!
The list of dessert wines is amazing. I once had a glass of sherry from 1900. It tasted delicate and fragile and had a faint flavour of hazelnut. As I tasted it, I thought about all the history that had passed since the bottle was corked. Both world wars, the first flight, the moon landing. It was more than just a drink. It was an experience. I had a Dow's vintage port from 1963. And I had excellent coffees (roasted daily at the restaurant) and desserts.
I love ocean waves. I love the thick, frothy sound of them. To me, fresh water waves sound like the kitchen tap dripping or a garden hose spraying a driveway. The sound of ocean waves washes over me and gives me a happy sense of wellbeing. I love it when the waves get big. That’s when I like to go in the water and just let the waves push me around.
Every day we would go for a long walk on the beach before lunch. The only decision was north or south? Flocks of sand pipers were always scurrying around the water’s edge, looking for food washed ashore by the waves. It was like they were kids chasing the waves out, then running back to avoid getting wet when the next wave rolled in.
I’d collect shells (I know, I’m way to old for that.) I’d take some small ones (about the size of a nickel or dime) home and take them into the office. Months after my vacation I would do things like drop one in someone’s boot, pocket, or pencil holder, or put one under a stack of papers on someone’s desk.
Sometimes I would just sit on the beach, scoop handfuls of sand and let it fall between my fingers. What is it about sand running through your fingers or skipping stones that feels so good?
One trip, I noticed a guy with a metal detector. He would come around early in the morning and scan the sand around the lounges looking for treasure. I wrapped some quarters in paper and wrote things on them like, “You’re getting close,” and, “Elvis was here,” and, “Oh my God, you’re right on top of it!” I buried them by the lounges near the balcony. The next morning I went to the balcony with my coffee and paper and watched as the guy came scavenging. He came so close. He was within six inches and his detector didn’t beep! Dude, if you’re reading this, get yourself a better metal detector!
I was a member at the Dali museum in St. Petersburg. I wore a Disintegration of the Persistence of Memory watch for years. I bought it at the museum for about $40. The crown eventually fell off but I still wore it even though it hurt like hell to set the time. I went through four or five watch bands. The face eventually faded to a pale yellow so the picture was barely visible before I finally stopped wearing it.
Many of Dali’s paintings are illusions. He would paint one thing that could appear as something else, or sometimes as three different things. The Hallucinogenic Toreador is a great example. (To see the toreador, look at the green wrap on the Venus. It’s his necktie.) It hangs in the St. Petersburg museum next to The Discovery of America by Christopher Columbus. Both are about 3x4 metres. I was awestruck the first time I saw them. I don't know how long I stood there staring at them.
I’m not religious, but I like Dali’s paintings of Christ and The Last Supper. They’re beautiful. I also like his paintings of Gala. You can tell how much he loved her by the way he painted her.
Dali had a remarkable mind. He was able to conceive of extraordinary, complex things and put them on canvas. I sometimes wonder what he would have created if he was an architect or scientist.
It saddens me to look at the paintings he did the last ten years of his life. His health, sight, and skills were declining. When I look at them, I think that if they were done by any other artist, I would consider them great paintings. But when I compare them to his own earlier works, well, it just makes me sad.